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'As Evangelist, he was the absolute gem of this performance.' San Francisco Classical Voice (USA) , 2019 'Among the vocal soloists, tenor Guy Cutting stood out in particular... his Benedictus evoked a haunting desolation that contrasted sharply but poignantly with the text.' Het Parool (NL), Amsterdam Concertgebouw, 2021 'Guy Cutting's interventions were so fierily dramatic that they lifted things onto an altogether higher plane.' Independent (UK) , 2018 'Guy Cutting was able to create astonishment in a buttery and contrasting way.’ J. Klier, Cologne Philharmonie (GE), 2022 'With his dark voice, Guy Cutting was a super Evangelist...He gave his story great depth and tension. New Rotterdam Courant (NL) , 2016 'In Erwaege, Guy Cutting's lovely, expressive tenor...' Opera Today (UK) , 2021 'Cutting's subtle delivery and clear diction were a joy and a delight, and his Evangelist expressed a perfect combination of detachment as narrator and involvement with Christus.' San Francisco Classical Voice (USA) , 2019 'Delicious work by Guy Cutting.' Gramophone (UK) , 2012 'Guy Cutting's flexible and lustrous tenor voice...' Choc de Classica (Fr) , 2019 'Guy Cutting sings all this intense music with terrific commitment and emotional engagement.' Music Web International (UK) , 2019 'Guy Cutting offers a surprisingly poignant Geduld' Paris Philharmonie (FR), 2022 'Guy Cutting made a very strong impression....singing with controlled intensity and a great sense of the text.' Planet Hugill (UK) , 2021 ...Guy Cutting was superb as the Evangelista.' The Berkeley Daily Planet (USA) , 2019 'No less exceptional is the tenor of Guy Cutting.' BBC Music Magazine (UK) , 2012 |
